Post-Valentine's Day and The Idea of Him

The Idea of Him

In When Harry Met Sally, the title characters are discussing their ex’s, and Sally confesses that she doesn’t really miss “him”,

Sally: You know what I miss? I miss the idea of him.

The Idea of Him is a powerful force in our lives – the notion that we’ll have a date on national holidays, that we’ve succeeded, somehow.

If you’re not in a relationship, it’s possible that Valentine’s Day was difficult for you, not – almost certainly not -- because you are actually lonely, but because the notion of The Idea of Him floats in the ether, almost requiring you to feel unhappy if He’s not in your life.

Stripped of all the emotion, it’s almost a comical force.

Sally’s best friend, Princess Leia, well, anyway, Carrie Fisher, illustrates for us the absurdity of letting The Idea of Him rule our lives. She stays in a pathetic, semi, in reality just being used relationship with a married man; she keeps a Rolodex of available single men; despite the face that she has a great job and great friends, she makes herself frantic and unhappy for years. Then she meets the right guy, when it’s the right time for both of them, and everything falls into place, and she’s wasted an insane amount of time and energy, but you don’t have to.

So, we’ve got Jane Austen giving you the advice not to be in a hurry; we’ve got Nora Ephron giving you the advice not to be in a hurry; we’ve got Aunt Lee giving you the advice not to be in a hurry – it’s something to keep in mind.

Note – we’re eventually going to be spending a lot of time with When Harry Met Sally; you’ll want to consider buying the screenplay, which will make it easier to keep up and will get you acquainted with screenplay formatting, because I’m going to convince you to write your own.




Next, The Idea of Him and Safely Married.

He's Just Not That Into You - Now Do You Believe Me?

See -- there is a lot to be learned from watching and absorbing what happens in movies.

One very helpful principle that somehow didn't make it into the Keira Knightly Pride and Prejudice was this exchange:

Mrs. Gardiner: "You are too sensible a girl, Lizzy, to fall in love merely because you are warned against it; and, therefore, I am not afraid of speaking openly. Seriously, I would have you be on your guard...."

Lizzy: "All that I can promise you, therefore, is not to be in a hurry. I will not be in a hurry to believe myself his first object. When I am in company with him, I will not be wishing. In short, I will do my best."

So, consider -- if the characters in this new movie would merely heed this very basic advice -- don't be in a hurry -- think how much misery would be avoided.

Remember the Second Variable in finding true love is time. There's plenty of time. Almost certainly, you won't be single as long as I was, and I survived; it's better to wait and get it right. And while you're waiting, watch gobs of movies.

Hollywood Dweeb Fallacy II: Marriage is a Mutual Trophy Acquisition Procedure

The Hollywood Dweeb Marital Fallacy II:

Marriage is a Mutual Trophy Acquisition Procedure

In Hollywood, in Hollywood movies, in Junior High, the object of relationships is to show off, and personal happiness is a remote secondary issue.

Take Brittany Murphy’s character, Tai, in Clueless (still the best film adaptation of a Jane Austen novel). She actually really likes stoner dude Travis but is talked into liking Elton, higher on the social ladder but really kinda empty and soul-less and boring. (In the novel Emma, Harriet actually loves a cute farmer boy, but Emma talks her into loving the vicar, Mr. Elton). The Tai/Harriet character lets herself be persuaded that she can “get” someone higher on the social scale but is never really happy; she just thinks she should be happy.

Remember the three love factors: Character, Time, and Intuition. Ambition’s not there anywhere, is it? For fun, go through the three factors with the Cher/Emma character and Josh/Mr. Knightly – see the difference? She’s known him long enough to establish his true character, which is fine; and although intuition hits late, it hits hard: bingo – True Love.


"He could have anybody, and he wants me" is not the central issue of a love affair, at least outside junior high or Hollywood, although it always seems as if it should be. It probably has seeped into your brain – shake it off.

If you can't wait to catch up, get Clueless at iTunes now:



Type A Girls: Get the Emma audiobook now from iTunes:

3 Variables of True Love

Discerning the difference between love and lust involves paying close attention to three principal variables: character, time, and intuition.

1. Character - Yours and His

The Keira Knightly Pride and Prejudice version got a lot of things right, but they left out this very important line from the book:

Elizabeth: To be sure, you knew no actual good of me, but nobody thinks of that when they fall in love.

Basic Rule: if either yours or his is seriously flawed or completely absent, the relationship will not ultimately work, even (and this is the hard part) even if there is actually real love. There are no known exceptions to this rule.

(a) Your character. Do you have any?

There's a reason we’re starting with How To Tell if It’s True Love and not "What are the better entrapment techniques?" It's because I presume that you're interested in a relationship that lasts a lifetime, a happy and integral complement to your already rich and interesting life.



In another Jane Austen-based film, Sense and Sensibility, Kate Winslet falls for a man no character, and he breaks her heart, luckily before she marries him and he destroys her life and reputation as well. Marianne threw caution to the winds when falling in love with Willoughby, disregarding then-existing rules of social conduct. Unquestionably, Willoughby loved her, but his nefarious deeds and general selfishness of character made lasting love impossible.

There's a period of time in the storyline of the sisters where both feel they've been dumped, but Emma Thompson at least has the comfort that she didn't fall in love with a jerk.

Ironically, while Marianne thought she was finding wild romance with Willoughby and that Colonel Brandon was boring, she eventually found that Colonel Brandon was a wildly romantic creature with a tragic love in his past.

Meanwhile, watch the storyline of Emma Thompson and Hugh Grant -- Hugh Grant makes the difficult decisions to honor his commitments and do the right thing, and everything works out for them.

Can't wait? Get Sense and Sensibility now at iTunes:

Keep Reading!

Aunt Lee Says: Everybody will be on Netflix eventually -- why not start today?